GASLIGHT
NEWSLETTER OF THE CAPE TOWN GILBERT & SULLIVAN SOCIETY
VOLUME 16 – ISSUE 4 – AUGUST/SEPTEMBER 2009
Ahoy!
Very appropriate as HMS Pinafore gets ready to sail! Alexander Graham Bell favoured that as the word to answer the telephone; it was not too well received and ‘Hello” became the English language introduction – telephonistes were known as “Hello Girls!”
HMS PINAFORE – THE MUSICAL
18 SEPTEMBER – 3 OCTOBER
The Artscape Theatre, Cape Town
With the theme of the show being set in the 1950’s our young and energetic cast will be taking you back to an era characterised by icons like Marilyn Monroe and Elvis Presley. “The story takes place aboard the British ship H.M.S. Pinafore. The captain’s daughter, Josephine [Sian Attebury], is in love with a lower-class sailor, Ralph Rackstraw [Ferdi Oosthuizen], although her father intends her to marry Sir Joseph Porter [David Bolton], the First Lord of the Admiralty. She abides by her father’s wishes at first, but Sir Joseph’s advocacy of the equality of humankind encourages Ralph and Josephine to overturn conventional social order. They declare their love for each other and eventually plan to elope. Her father, the captain [Riaan Hunter], discovers this plan, but, as in many of the Gilbert and Sullivan operas, a surprise disclosure changes things dramatically near the end of the story.”
(Summary courtesy of Wikipedia)
Get R10 off the normal ticket price by purchasing your ticket through our preferential cast ticket sales!
Feel free to contact Lance Kotze should you wish to purchase preferential tickets or have any other queries regarding this show. lance.kotze@gmail.com / 082 770 7782 /
www.gilbertandsullivan.co.za/vbo.html
Alternatively, you can book your tickets though Computicket (083 915 8000) or log onto
http://www.computicket.com/web/event/h_m_s_pinafore/18909635 / 083 915 8000
WHAT IS HAPPENING BEHIND THE SCENES?
Raymond Rudolph lets us in on a few secrets… (Thanks, Raymond!
Reflections on ‘HMS Pinafore’ Rehearsals
) – From ‘Unseemly Sound Malaise’ to ‘Dreamy Sound Amaze’ –
Since mid-May 2009, the boards of the Congregational Church in Pinelands have been resounding with the muscular sounds of stamping feet, curling lips & flashing eyes, and the dainty sounds of gaily-tripping feet & lightly-skipping legs, oftentimes simultaneously.
Under Alastair’s patient musical direction, the initial ‘Unseemly Sound Malaise” has been transformed into something almost slightly harmonious. Helen has provided the necessary musical accompaniment, always so obligingly and with impressive technical consistency.
Kyla has managed, despite obstacles like fifteen sets of two left feet, to instill some sort of artistically logical pattern to the movements. Heather and Gary, have managed, totally
obtrusively, to pull the performers off the floor at various critical times, for measurement & fittings… (a necessary evil, I guess?) All the while, Teddy’s eagle eye has carefully observed the whole process, interjecting where necessary, amending the tempo or lyrics or dialogue (or ALL THREE) while surprisingly always (… well, except for once) maintaining a remarkably calm & controlled outward demeanour.
It seems only right that each of these folk be accorded the honour of his/her own Pinafore song:
MUSICAL DIRECTOR:
(Alastair Cockburn)
When Alastair was a lad he took on the job
Of harmonising this naughtycal mob.
His energetic wrist ..
is not so easy to resist.
And he himself has not said it ….
… and it’s greatly to his credit,
That he IS a Gentle-man.
YES, he is a Ge-e-e-e-e-e-e-e-e-e-entle-man !
CHOREOGRAPHER:
(Kyla Thorburn)
When Kyla was a lass she took a chance
at teaching this bunch to try to dance.
With a step .. cross .. heel-toe .. here,
A cross .. step .. heel-toe .. there.
Here a step – click; there a step – click;
Every-where a step – click ….
Old Macdonald’s farm had NOTHING on this ..
Ee-eye .. ee-eye … oh-ver the Bright Blue
Sea-ea !
COSTUMIER:
(Heather Earp-Jones)
When Heather was a lass she served a spell
as Pinafore’s costumier from hell.
The sailors’ measurements were written in a book,
…
.. at which the tailor CLEARLY took no look.
We KNOW the trousers are supposed to be slinky,
But the zips won’t close on even the TINIEST
winky!
ACCOMPANIST:
(Helen Broekmann)
When Helen was a lass she wanted something
more,
So she became accompanist for Pinafore.
She’s an over-achiever & a consummate Diva,
And when she’s finished playing, we don’t WANT
to leave-er.
The OTHER night she was a REAL hit …
Played a wrong note and cried out “Oh SH%T!!”
DIRECTOR (“TD”):
(Teddy Davies)
TD: My gallant cast, Good Morning
Chorus: Teddy, good morning.
TD: I hope you’re all quite well.
Chorus: Quite well. And you, Ted?
TD: I’m in reasonable health, and happy to direct you once again.
Chorus: You do us proud, Ted.
TD: (singing) I am the Director of the Pinafore ..
Chorus: (singing) … and a right good Director too.
.. he’s very, very, good and be it understood .. he directs us very good too !
For in spite of much consternation, He shows no sign of irritation
And he’s only had ONE tantrum. YES, he too is a Ge-e-e-e-e-e-e-e-e-e-entle-man !
2010 G&S PRODUCTION
The Cape Town Gilbert & Sullivan Society is proud to announce that its 2010 production will be the popular Meehan/Strouse/Charnin musical, “Annie”, to be staged in the Artscape Theatre during September and October. Direction is by Kyla Thorburn, with musical direction by Alastair Cockburn and General Management by Adrian van Stolk.
“Annie”, which is based on the famous US comic strip,”Little Orphan Annie” was one of the biggest Broadway hit musicals of the 1970’s.
The story, set in 1933, concerns the 11-year old Annie, who is in an orphanage presided over by Miss Hannigan, who keeps the little girl orphans in line by bullying and threatening (“It’s the Hard-Knock Life”). Annie decides to escape to find her parents, running into a friendly dog, Sandy (“Tomorrow”) and the people made homeless because of the Great Depression (“We’d Like To Thank You, Herbert Hoover”). However, she is returned to the orphanage. Her luck changes when Grace Farrell, assistant to Oliver “Daddy” Warbucks” picks her to live in the millionaire’s palatial home over Christmas (“I Think I’m Gonna Like it Here”). Warbucks wants to adopt her, but Annie insists that her parents will come for her. Assisted by President and Mrs Roosevelt, Warbucks offers a reward for the parents (“You’re Never Fully Dressed Without A Smile”). Miss Hannigan, her brother, Rooster, and his ditzy girlfriend, Lily, pretend to be Annie’s parents so that they can collect the reward (“Easy Street”). When they are found out and arrested, and it transpires that Annie’s parents have died, Warbucks and Annie become a family (“I Don’t Need Anything But You”).
This musical gives plenty of opportunity for the members of the large chorus to sing in the well-known choruses, and also to play the different cameo roles of all ages, for example Mr Bundles the laundry man, a policeman, Bert Healy the radio announcer, members of Roosevelt’s cabinet, the “doo-wah” Boylan sisters and many more.
Auditions will be held in early 2010.
SOMETHING THAT MIGHT INTEREST YOU…
THE CAPE TOWN SCHOOL OF SONGWRITING (
www.songwriters.co.za)
…is the brainchild of Clive Ridgway, Program Director for Kfm 94.5 from 1999 to 2007, leader of legendary country-rock band Rocking Horse and author of the book “Crack the Songwriting Code.”
The next 8 week / 8 module Songwriting Course starts on
The course culminates with a Demo Recording, Certificate Presentation & End-of-Course Party.
Course Fee – R1 950 (terms available) includes a copy of Clive’s book “Crack the Songwriter Code”, a Workbook, Refreshments as well as a Demo Recording.
Chenara Fenton recently attended this course and had the following to say about her experience: “I had a wonderful time over the 8 weeks, and found the song-writing process challenging, but so worth it! At the end of the course, we recorded a song which we had written in collaboration with another student from the course.
My song is a bit corny, but it has a catchy tune and being in studio was wonderful. I made some great new friends would highly recommend the course for any aspiring song-writer!
Monday, 12 October @ 7 pm.
Bookings: Clive – 082 3194500 / Elaine – 082 777 3133 / clive@songwriters.co.za
DANCE SEMINARS & WORKSHOPS with SAIM
The South African Improvisation Meeting (SAIM) invites you to join them from
The SAIM, an initiative by Jori Snell (Baba Yaga Theatre), in collaboration with UCT – School of Dance, Stellenbosch Drama Department and Illinois University, provides a unique opportunity to learn from artists: Kirstie Simson (Chicago) and Bo Madvig (Denmark).
Both of them are directly associated with Contact provisation- and Improvisation pioneers like Steve Paxton and Julyen Hamilton.
“This series of workshops, master classes, discussions and jamming during SAIM will be a reconnecting, evolving experience for all who join” says joint partner, Gerard Samuel of UCT, School of Dance.
The classes will be open to all level participants and be built on very simple physical principles allowing students to explore their experience of moving and to understand their own
bodies more profoundly. Contact Improvisation and Improvisation are ways for dancers to rediscover the authentic joy of movement. It develops a “readiness” in the body for the unexpected and therefore has both technical and choreographic uses. For a performer the study of improvisation is the most exquisite way of becoming present and learning to adapt creatively to any situation.
For more information on the programme or should you wish to attend this event, contact Jori Snell on 076 0205772 or email her at
22 September – 02 October to be part of a meeting between some of the leading international exponents of Contact Improvisation as a dance practice, and Cape Town dancers, movers, teachers & performers.babayagatheatre@gmail.com
CONGRATULATIONS
Congratulations go to Gwen Sharland who has become grandmother to Benjamin Richard Sharland!
GOODBYE
Dr Rowena McKenzie is going to live in London. Our good wishes go with her. One hopes that email will keep her informed, and that we will have news from her, from time to time.
GONDOLIERA
Venice has been rocked to its watery foundations by the news that the first female ‘gondoliera’ has joined an almost feudally run fraternity (frasority/sorfranity?) The testosterone-laden gondoliers grumble that she is too big for her britches and she has been warned to reign in her new-found celebrity or risk being expelled! Her father feels she needs a bit more muscle as the boats weigh more than half a ton and seat more than a dozen passengers. She agrees it’s physically taxing, ‘but try childbirth.’ (LA Times / Cape Argus,18 August 2009)
It’s time for us to raise the anchor, say “Bon Voyage” and we’ll see you at HMS Pinafore –
The Musical!!
Cheers
Adrian